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Lessons in Chemistry by Bonnie Garmus

Historical fiction

Lessons in Chemistry

Debut

We love supporting debut authors. Congrats, Bonnie Garmus, on your first book!

by Bonnie Garmus

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Volume 0
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Quick take

This novel has the perfect molecular structure: a charming protagonist, humor, a lovable dog, and feminist bonafides.

Good to know

  • Illustrated icon, 400

    400+ pages

  • Illustrated icon, Feminist

    Feminist

  • Illustrated icon, Brainy

    Brainy

  • Illustrated icon, Underdog

    Underdog

Synopsis

Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing as an average woman. But it’s the early 1960s and her all-male team at Hastings Research Institute takes a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant, Nobel Prize-nominated grudge-holder who falls in love with—of all things—her mind. True chemistry results.

But like science, life is unpredictable. Which is why a few years later Elizabeth Zott finds herself not only a single mother, but the reluctant star of America’s most beloved cooking show Supper at Six. Elizabeth’s unusual approach to cooking (“combine one tablespoon acetic acid with a pinch of sodium chloride”) proves revolutionary. But as her following grows, not everyone is happy. Because as it turns out, Elizabeth Zott isn’t just teaching women to cook. She’s daring them to change the status quo.

Laugh-out-loud funny, shrewdly observant, and studded with a dazzling cast of supporting characters, Lessons in Chemistry is as original and vibrant as its protagonist.

Content warning

This book contains descriptions of sexual assault.

Free sample

Get an early look from the first pages of Lessons in Chemistry.

Lessons in Chemistry

CHAPTER 1

November 1961

Back in 1961, when women wore shirtwaist dresses and joined garden clubs and drove legions of children around in seatbeltless cars without giving it a second thought; back before anyone knew there’d even be a sixties movement, much less one that its participants would spend the next sixty years chronicling; back when the big wars were over and the secret wars had just begun and people were starting to think fresh and believe everything was possible, the thirty-year-old mother of Madeline Zott rose before dawn every morning and felt certain of just one thing: her life was over.

Despite that certainty, she made her way to the lab to pack her daughter’s lunch.

Fuel for learning, Elizabeth Zott wrote on a small slip of paper before tucking it into her daughter’s lunch box. Then she paused, her pencil in midair, as if reconsidering. Play sports at recess but do not automatically let the boys win, she wrote on another slip. Then she paused again, tapping her pencil against the table. It is not your imagination, she wrote on a third. Most people are awful. She placed the last two on top.

Most young children can’t read, and if they can, it’s mostly words like “dog” and “go.” But Madeline had been reading since age three and, now, at age five, was already through most of Dickens.

Madeline was that kind of child—the kind who could hum a Bach concerto but couldn’t tie her own shoes; who could explain the earth’s rotation but stumbled at tic-tac-toe. And that was the problem. Because while musical prodigies are always celebrated, early readers aren’t. And that’s because early readers are only good at something others will eventually be good at, too. So being first isn’t special—it’s just annoying.

Madeline understood this. That’s why she made it a point each morning—after her mother had left and while her babysitter neighbor, Harriet, was busy—to extract the notes from the lunch box, read them, then store them with all the other notes that she kept in a shoebox in the back of her closet. Once at school she pretended to be like all the other kids: basically illiterate. To Madeline, fitting in mattered more than anything. And her proof was irrefutable: her mother had never fit in and look what happened to her.

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Why I love it

I am grateful for books always, but especially lately, these last—well, couple of years now, when all I want is to be elsewhere, doing something interesting in the company of people who make me happy. So I was especially grateful to find myself in the world of Elizabeth Zott and Lessons in Chemistry, a cheerful, cinematic, whip-smart novel about finding one’s family and the ongoing fight for gender equality. (Also, cooking! And television! And teaching dogs how to read!)

Why did I love this book? It’s shrewd and vibrant and carefully plotted. But most of all I loved it because reading it made me feel good, hopeful even. Lessons in Chemistry is, in addition to being a very funny novel, refreshingly earnest, a word I use carefully and as a high compliment. This is a book that is complicit with its reader and takes care of her, allowing her to walk away from it feeling optimistic about being a person in the world.

And did I mention Six-Thirty? He’s one of the best fictional dogs I’ve ever encountered. Honestly, I felt a superlative affection for almost every character in this book and continued to think about them—and root for them—long after I finished reading. In short: it’s a fabulous novel. I hope you’ll read it and relish its companionship as much as I did.

Member ratings (44,221)

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Historical fiction
View all
Lady Tan’s Circle of Women
The Love Elixir of Augusta Stern
The Women
The Lion Women of Tehran
Husbands & Lovers
Shelterwood
A Thousand Times Before
All We Were Promised
Spitting Gold
The Seventh Veil of Salome
The Mayor of Maxwell Street
The Great Divide
The Storm We Made
The Disappearance of Astrid Bricard
Lessons in Chemistry
The Frozen River
What We Kept to Ourselves
Take My Hand
The Last Russian Doll
The First Ladies
The House Is On Fire
River Sing Me Home
The Attic Child
Malibu Rising
The Book of Longings
Hester
The Final Revival of Opal & Nev
The Nightingale
Daisy Jones & The Six
The Lincoln Highway
The Secret Book of Flora Lea
Did You Hear About Kitty Karr?
The Circus Train
Peach Blossom Spring
Hang the Moon
Booth
The Good Left Undone
The Perishing
The Postmistress of Paris
The Family
Things We Lost to the Water
The Spectacular
Still Life
Send for Me
The Magnolia Palace
The Bookbinder
China Room
This Tender Land
Atomic Love
All the Light We Cannot See
The Vanishing Half
Outlawed
The Four Winds
Independence
The Fountains of Silence
Libertie
Queen of Thieves
The Great Believers
The Clockmaker's Daughter
A Gentleman in Moscow
The Great Alone
The Seven Husbands of Evelyn Hugo
The Heart’s Invisible Furies
Rules of Civility
Circling the Sun
The Moor's Account
Jacqueline in Paris
Don't Cry for Me
The Christie Affair
Bloomsbury Girls
The Wedding Dress Sewing Circle
Bronze Drum