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Sankofa by Chibundu Onuzo

Contemporary fiction

Sankofa

by Chibundu Onuzo

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Quick take

A lyrical story of a woman seeking answers abroad and finding the unexpected: her father, who might just be a dictator.

Good to know

  • Illustrated icon, Social_Issues

    Social issues

  • Illustrated icon, Family_Drama

    Family drama

  • Illustrated icon, International

    International

  • Illustrated icon, Marriage_Issues

    Marriage issues

Synopsis

Masterful in its examination of freedom, prejudice, and personal and public inheritance, Sankofa is a story for anyone who has ever gone looking for a clear identity or home, and found something more complex in its place.

Anna is at a stage of her life when she's beginning to wonder who she really is. She has separated from her husband, her daughter is all grown up, and her mother—the only parent who raised her—is dead.

Searching through her mother's belongings one day, Anna finds clues about the African father she never knew. His student diaries chronicle his involvement in radical politics in 1970s London. Anna discovers that he eventually became the president—some would say dictator—of a small nation in West Africa. And he is still alive...

When Anna decides to track her father down, a journey begins that is disarmingly moving, funny, and fascinating. Like the metaphorical bird that gives the novel its name, Sankofa expresses the importance of reaching back to knowledge gained in the past and bringing it into the present to address universal questions of race and belonging, the overseas experience for the African diaspora, and the search for a family's hidden roots.

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Get an early look from the first pages of Sankofa.

Sankofa

1

My mother was six months dead when I opened the trunk I found under her bed. I opened the trunk on the same day her headstone was erected. Rose, my daughter, accompanied me to the cemetery. I wore black, like it was a second funeral. Grass had grown over her grave, the earth erasing all memory of its disturbance. The headstone was marble, paid for by my mother’s funeral insurance. Rose chose the gold-lettered inscription.

Bronwen Elizabeth Bain

1951–2018

Beloved Mother, Grandmother, Daughter and Sister

Remember me when I am gone away,

Gone far away into the silent land.

The Rossetti quote was a touch melancholic, but so was my mother and, for that matter, so was Rose. We laid flowers, fresh white chrysanthemums. Rose said a few words, addressing my mother as if she were present. When she finished, she turned to me. I shook my head. The practice felt too foreign and fanciful.

Afterwards, we had lunch near Rose’s office, in what my mother would have called a smart restaurant, a maître d’ by the door, thick cloth napkins on the tables. Rose went back to work, and I returned home to retrieve my mother’s trunk from the storage cupboard. The day’s ritual had left me wanting to touch something that belonged to her.

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Why I love it

The symbol of Sankofa comes to us by way of the Akan people of Ghana. Typically represented by a bird with its head turned backwards— it is a reminder to remain connected to our past to nourish and propel us in the present. It is an altogether fitting namesake for a book as brimming with vim and wisdom as this one.

Sankofa introduces us to its protagonist during a moment of agonizing uncertainty. Anna is feeling adrift and unmoored; her daughter is fully grown and she has recently separated from her husband. As she tries to make sense of how she has arrived at this uneasy juncture, Anna begins to rifle through old family effects, hoping for some answers buried in her past. She soon stumbles upon the diaries of the father she never knew and after following the rabbit hole she has dug for herself finds to her surprise that he is alive . . . and potentially the exiled dictator of a small West African nation. This sends her on a continent spanning journey, but the greatest revelations come from the interior. As Anna uncovers hidden parts of her family history, she begins to piece together a deeper understanding of identity, family, and the meaning of diaspora.

This is a special book that deploys every tool at its disposal to explore the big questions and put its characters (especially its lead) through the wringer. Anna is a fully realized character with all of the flaws, contradictions, and above all charms that that implies. And through her journey of discovery, I would contend, the curious reader may just come away with their own new sense of self-knowledge and a greater awareness of the powerful grip the past can hold on the present.

Member ratings (1,426)

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Contemporary fiction
View all
The Last Love Note
What Does It Feel Like?
Anita de Monte Laughs Last
The Wedding People
Honey
The Leftover Woman
The Same Bright Stars
Bye, Baby
Swan Song
The Days I Loved You Most
The Connellys of County Down
Joe Nuthin’s Guide to Life
Jackpot Summer
Adelaide
The Collected Regrets of Clover
Again and Again
Evil Eye
Black Cake
Maame
Romantic Comedy
Someone Else’s Shoes
Once There Were Wolves
We Are the Brennans
The Bad Muslim Discount
What Comes After
Olga Dies Dreaming
Last Summer at the Golden Hotel
Monster in the Middle
Nine Perfect Strangers
The Star-Crossed Sisters of Tuscany
The Girl with Stars in Her Eyes
Honey Girl
In Every Mirror She's Black
Yinka, Where Is Your Huzband?
Sankofa
The Unsinkable Greta James
The Love of My Life
The Five-Star Weekend
The Magic Strings of Frankie Presto
The Wishing Game
Behold the Dreamers
The Mothers
All the Ugly and Wonderful Things
Little Fires Everywhere
The Music Shop
Where’d You Go, Bernadette
The Reckless Oath We Made
When We Were Vikings
The Girl with the Louding Voice
A Good Neighborhood
Big Summer
All Adults Here
Happy & You Know It
Friends and Strangers
The Comeback
True Story
The Last Story of Mina Lee
Troubles in Paradise
White Ivy
This Close to Okay
The Chicken Sisters
The Prophets
In a Book Club Far Away
The Other Black Girl
Apples Never Fall
A Quiet Life
We Are the Light
The Most Likely Club
The Fortunes of Jaded Women
When We Were Bright and Beautiful
The Hotel Nantucket